With an extensive background in metalsmithing, jewelry design, and engineering, Sergey Jivetin uses the skill set of a master craftsman to transform ordinary materials into potent conveyors of meaning. His practice introduces miniature elements into unexpected settings to examine humanity's convoluted relationship with nature. The disappearance of Aral Sea in Uzbekistan, one of the greatest ecological disasters of the 20th century, heightened Jivetin's sensitivity to the preciousness of natural resources and their management.
Since coming to the United States in 1994, his practice has expanded from wearable pieces of jewelry to include experimental flatware, scientific and medical apparatus, sculptural objects and site-specific installations.